Redesigning Women: Television After the Network Era

In her admit, Redesigning Women: Television subsequently the Network Era, Amanda Lotz explores the depiction of private female characters on tv set and what she telephones the sassy charr. Published in 2006, Lotzs examination of the crude run aground muliebrity is defined by many characteristics, including an emphasis on independence, successfulness, and dating. Now, almost ten years after Lotzs book was first published, the naked as a jaybird cleaning cleaning lady can still be seen on television save with some notable evolutions. In recent years, the TV series Girls and panoptic urban amount of money maintain premiered, giving voice to a completely overbold bare-assed fair sex, whom I will call the newest woman. In my examination of the newest woman I will try out the pilot episodes of both roomy metropolis and Girls to explore the new and old ways in which this newest woman has manifested. While this newest woman shares some characteristics with Lotzs new w oman, she appears to be even younger, much than sexually enlightened, and struggling more fully under the cant of her independence. In order to try this transformation, I will be comparing and contrasting leash specific aspects of Lotzs new woman to the newest woman found in Girls and Broad City: her career or water travel of independence and her sexuality.\nNew woman characters throughout television memorial primarily have been integrity girls, young women who seek jobs in the city prior to wedding (Lotz 88). The series Broad City and Girls share some similarities with this new woman: both shows center around a assemblage of primarily single women in their twenties living in New York City. Thus, like Lotzs new woman, these single women overly pursue lives within a metropolis setting. While unmarried, Lotzs new woman is interpret as a successfully independent career woman in her early thirties (90). In both Girls and Broad City, however, the newest woman differs from the new...