Nora\'s Transformation - Child to Adult

The cosmea famous play, A razzings House, by Henrik Ibsen, is relate upon the injustices women faced in society, and to a greater extent specifically within their marri durations during the nineteenth century. To portray that era, Ibsens play, focuses on the subordinate role that, Nora Helmer, the primary(prenominal) character, plays compared to that of her husband. Nora, like all wives of the time, lived a life revolving around her husbands. His views, beliefs, and ascertains, were automatically hers with no argument or second-guessing. From a young age she embraced this role in society. However, as the play progresses and the story evolves, so does she. Over the course of a holiday weekend, and the three acts in the play, Noras character goes from existence a doll child and doll wife, to a strong, supreme woman. Nora acts childishly in the first act, contemplates intensely in the second, and achieves a priceless sense of world during the finale act of the play.\nIn Act o ne, Nora tries hard to surveil with the social rules to act as a good wife, capture and daughter (Wong). However, in the meantime, Nora shows her be desire to be an individual, and more importantly her childlike characteristics, threw acts of defiance and carelessness. Torvald, Noras husband, imposes rules for which she is to follow. Instead of creation an adult and addressing her concerns about and so rules, she simply breaks them behind his back, as a child is change to doing. For instance, Nora is forbidden to eat macaroons, that does so any way. When this occurs, Torvald asks her is she has, been nibbling sweets, to which she replies wholeheartedly, No, for certain not/ I should not think of going against your wishes (Ibsen). This alimentation of a macaroon portrays her childlike qualities in two separate ways. For one, she surrendered to Torvald by allowing such a intimacy become a rule in the first place, in conclusion showing her lack of order or desire to brook up for her belie...\n